PRODUKT - Revolt . Conquer . Consume (2010)

"Revolt . Conquer . Consume" is the debut album of Sean "Satyr" Tracy's PRODUKT - a New York based machine rock/electro-goth hybrid. While it might be a debut, don't mistake Sean for a rookie or PRODUKT for an entirely new band - prior to starting up PRODUKT in 2004 Sean put in time as guitarist for, among others, Florida based industrial rock act Grim Fairies (with Curse Mackey of Evil Mothers fame on vocals) as well as doing remix work for the likes of Society Burning (see review here), Cyanotic and How To Destroy Angels. So what of "Revolt . Conquer . Consume"?

SMP - Coda (2010)

A veritable "jack in the box", Jason Bazinet has worked with industrial giants like Chemlab, 16volt and Front Line Assembly as a drummer - most recently on the 2010 Midi Ghetto Tour in the US and Canada and FLA's (mostly) European 2010 tour. Even going so far as to do three drum-gigs a night for most of the Midi Ghetto Tour (16volt and Chemlab, and also filling in for Left Spine Down). In addition, he's involved to greater and lesser degrees with 64K, Monicom, The Crills as well as the elusive and enigmatic Loyal Opposition. It would be easy to forget he's also founder, only constant and currently sole member of SMP (Sounds of Mass Production) - the coldwave/industrial rock-rap crossover hybrid of a monster. Formed in the early 90's, SMP debuted with Stalemate on the (in-)famous Re-Constriction in 1995 and has since gone on to release four more full-length albums, two remix albums, one mixtape and too many collaborations and remixes to count. Needless to say, the news of a new album in the works got me all kinds of excited - especially since Bazinet announced that 2008's remix album Pissing on the Legacy would be the end of SMP.

Mortiis - Perfectly Defect (2010)

With his roots as bass player in the black metal band Emperor, Mortiis has come a long way over the years. From the first instrumental ambient/darkwave solo albums (as well as side projects Vond and Fata Morgana), to the synth pop/electro-industrial styling of 2001's The Smell of Rain (which saw Mortiis picking up the mic for the first time) and the harsher industrial rock of 2004's The Grudge (by which time "Mortiis" had turned into a full-blown band, rather than being the solo outfit of Håvard Ellefsen). It's now been three years since the release of Some Kind of Heroin, the remix version of The Grudge. During those years Mortiis (as a band) have been touring, working on new material and Mortiis (the frontman, Håvard) has shed the last parts of the mask he'd been wearing since way back in the day. In part as a gift to the fans, and (I suppose) in part as a teaser for the next full CD (The Great Deceiver, slated for an early 2011 release) Mortiis has released Perfectly Defect online.

Society Burning - Internal Combustion (2010)

What better way to get started than with a review of Society Burning's Internal Combustion? The first new album of theirs in 13 years - not counting the 2009 releases of State.of.Decay, originally set for release in 1994, or the remastered and expanded Entropy.Lingua.Reloaded - sees the welcome return of Boom, Dave and Twitch. Formed as The Watchmen back in 1991 (hey Dave, still waiting for those Watchmen tapes man), settling for Society Burning a year or so later, these guys put out some of the defining coldwave/synth rock music of the 90's alongside other legendary acts such as Hate Dept., Chemlab and 16volt. Always with a heavy cyberpunk vibe both musically and lyrically. Their latest album picks up where 1997's Tactiq left of, bringing their music into the 21st century without losing anything of what made them so great in the first place.

Upcoming industrial rock releases

New material on the way from Society Burning, SMP, Idiot Stare, Unit:187, 16volt, Chemlab, Sunna, Skold, Christ Analogue and possibly Die Warzau. It seems 2010 is doing its utmost to top 2009 in kicking ass.

Legalised piracy?

I have a bit of a dilemma. With the purchase of my cellphone I also got free access to the Nokia Music Store for a year. Yeah, it was the main reason why I even got the phone in the first place. The problem is that I feel I am somehow robbing the artists I want to support.

Industrial rock alive and kicking

2010 seems to become a good year for industrial rock (or American coldwave, if you will). Tim Skold is coming back, putting out a new album in his own name "early 2010", with two songs available on iTunes and Nokia Music Store (that I know of) - "A Dark Star" and "Bullets Ricochet" - both of them heavy industrial rockers, showing great promise for the new album (previews can be heard here, there's a preview of a third track, "I Will Not Forget" which apparently was featured on the TV show "FlashForward").

Inaugurating the Apophenaeon

Apophenia, to see patterns and connections in random or meaningless data. An apt concept for this blog I think.

Seeing patterns and connections where others do not can, at best, open up new perspectives and shed new light on old problems. Riane Eisler, for instance, identifies two orientations or strands of thought that to a great extent has shaped the world we live in - that of the "dominator" and "partnership" society, with roots as far back as ancient Babylon and the myth of how Marduk slew Tiamat and fashioned out of her the world. Thus providing a myth of how we can tame nature by dominating her, teaching us that either we dominate or we're dominated.